Previously this could lead to an all-black plugin interface.
Fabfilter pro q 3 purchase full#
Updated plug-in for full compatibility with Mac hosts built specifically for macOS 10.14 (Mojave), such as Logic Pro 10.4.4, running under macOS 10.14.0 or 10.14.1. Learn More | Purchase Pro-Q 3 All plug-ins: Fixed a crash when entering EQ Match mode when there is no “stereo” yellow result curve in the EQ display (for example, if there are only Mid bands). Fixed a bug in the EQ display that made it impossible to enter permanent spectrum grab mode when already in spectrum grab mode. Fixed an issue that could cause the Audio Units plug-in to freeze for a while in Ableton Live when adding new bands. Fixed a bug that caused the interface to become all white after double-clicking to edit a text value in the Audio Units plug-in in Ableton Live 10 on macOS 10.13. Fixed a bug that caused the gain of a band to jump to zero when using the mouse wheel to adjust the Q in solo mode with the Gain-Q Interaction option enabled. Fixed a bug that prevented copying and pasting automation from marking all parameters as changed in the preview buffer in Pro Tools, making it impossible to overwrite existing automation. It is now possible to solo disabled bands again, like in Pro-Q 2. Fixed bugs that could cause ringing sounds or sweeping filter effects when using higher order dynamic filtering. In addition, all interface-only parameters such as the analyzer settings are now also non-automatable. Made the Processing Mode and Processing Resolution parameters non-automatable, to prevent automation from changing the latency during playback. Next to the threshold slider, click the new External Side Chain button to enable or disable triggering on the external side chain input. To use this, first click on the Auto Threshold button above the dynamic range ring to enable custom threshold mode. Added optional external side chain triggering to EQ bands. IMPROVED – Supports stereo, mono and surround channel layouts (up to Dolby Atmos 7.1. Double-click text entry of parameter values. Extreme CPU optimization: Pro-Q 3 uses very little CPU and memory, so you can use hundreds of instances in a session. Different display ranges: 3 dB and 6 dB ranges for mastering, 12 dB and 30 dB for mixing. Optional piano roll display to quantize EQ frequencies to musical notes. 
IMPROVED – Built-in spectrum analyzer with Pre-EQ, Post-EQ and external spectrum visualization, adjustable range, speed, resolution, tilt, freeze and collision detection. IMPROVED – EQ Match feature to automatically match the spectrum of another Pro-Q 3 instance or an external signal. Universal filter slope support for all filter types, up to 96 dB/oct. IMPROVED – Filter shapes: Bell, Notch, High/Low Shelf, High/Low Cut, Band Pass, Tilt Shelf, Flat Tilt. 
Different interface sizes and additional Full Screen mode. IMPROVED – Spectrum Grab: just grab and adjust a peak in the real-time spectrum analyzer right away!. NEW – Flat Tilt filter shape, a flat tilting correction curve over the whole audible frequency spectrum. Operates in zero latency mode, linear phase mode with adjustable latency or the unique Natural Phase mode. NEW – Per-band mid/side or left/right processing, so you can EQ the mid, side, left or right signals separately. NEW – External spectrum visualization from any other Pro-Q 3 instance, including collision detection. NEW – Full surround support (up to Dolby Atmos 7.1.2) with intelligent speaker selection. NEW – Ultra-steep ‘Brickwall’ slope setting for LP and HP filters. IMPROVED – Gorgeous Retina interface with large interactive EQ display, multi-band selection and editing for maximum ease of use and efficiency. NEW – Optional Dynamic EQ mode for all bands (Bell and Shelf shapes), using any slope setting and with perfect analog matching, with optional external side chain triggering.
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